Chasing the Music

4 Jun 2017 - 14:00



Date: Sunday, June 4th, 2017, 2pm

Venue:  Waterbury Palace, Webster Hall

Audience: 2,600 seat capacity

Ticket Sales: Waterbury Palace Box Office

Palace_H_Black Lettering Comcast_RGB_phone (1)Transparent




Purchase Your Tickets Online:

(clicking photo)

CtM buy your tickets now

Prices: Angel: $100, Wings: $50, Halo: $30

Angel tickets include access to the VIP Post reception with a meet and greet with some of the performers.

Please consider sending youth to the performance of the Carnival of Animals by purchasing tickets on their behalf.  Targeted youth will be from the Race4Chase Kids Triathlon Program, the Sandy Hook/Newtown school system or the local Waterbury area.

Purchase Youth Sponsored Tickets Here:

Youth Sponsored Seats: $30

“Buy Now” to Purchase Donate/Sponsor Youth Tickets:



Carter and Ilaria Brey and Rebecca and Stephen Kowalski have forged a strong friendship in the aftermath of the Sandy Hook tragedy.  This event is an expression of this friendship and the Brey’s desire to support the the Kowalski family in memorializing Chase through the Foundation.


The CMAK Sandy Hook Memorial Foundation presents “Chasing the Music”, a classical music event featuring Saint-Saens’ “Carnival of Animals” performed by members of the NY Philharmonic and friends of Carter Brey.  This will be an exceptional event bringing world renown musicians to entertain the audience of adults and youth in Chase’s memory and in support of the CMAK Foundation.

In the spirit of Chase and the mission of the Foundation, CMAK will use the event to introduce youth to classical music.  The event will consist of two sessions.  First, eleven musicians will perform Saint-Saens “Carnival of Animals” where each movement represents a different animal.  This famous symphony was originally composed by Saint-Saens for school children.  The youth invited will be able to view this performance produced for their enjoyment.  They will depart the theater at intermission.  After intermission, Carter Brey will select movements of his choice to entertain the adult audience remaining.

The performance will be followed by a reception in the Palace atrium where participants will be able to meet some of the performers.

1:00 pm: Doors Open
1:30 pm: Hall Opens for Seating
1:50-2:00 pm: Introductions/Announcements
2:00 pm: Performance begins
2:00-2:10 pm: MC Intro- Foundation video
2:10-2:40 pm: Performance of “Carnival of Animals”
2:40-3:05 pm: Intermission (Youth escorted to exits/buses)
Adults/lower house open to concessions
3:10 pm: Commence 2nd Part of program
3:10-3:50 pm: Collection of movements chosen by Carter Brey
3:50-3:55 pm: Conclusion
4:00 pm: Post Reception Meet and Greet
5:00 pm: Reception Concludes
Event Sponsorship Opportunities:
  • Title Sponsor
  • Reception Sponsor
  • In Kind Sponsors
  • Other
  • Youth Ticket Sponsorship

Sponsorship prospectus available upon request. Email kevin Grimes at

Targeted Youth:

  • Newtown- Sandy Hook families
  • Race4Chase Triathlon Program participants
  • Youth from Music and Arts Program across CT
  • Other basis sponsors preference

“Buy Now” to Purchase Donate/Sponsor Youth Tickets:


Volunteer Opportunities available. Email

Musicians: (see biographies below)

  • Piano: Misha and Cipa Dichter
  • Violin: Sheryl Staples, Michelle Kim
  • Viola: Rebecca Young
  • Cello: Carter Brey
  • Double Bass: Timothy Cobb
  • Flute: Robert Langevin
  • Clarinet: Pavel Vinnitsky
  • Percussion: Daniel Druckman, Benjamin Cornavaca 

Cello: Carter Brey

Cater BreyCarter Brey was appointed Principal Cello, The Fan Fox and Leslie R. Samuels Chair, of the New York Philharmonic in 1996. He made his official subscription debut with the Orchestra in May 1997 performing Tchaikovsky’s Rococo Variations under the direction of then Music Director Kurt Masur, and has since performed as soloist each season.

From the time of Mr. Brey’s New York and Kennedy Center debuts in 1982, he has been regularly hailed by audiences and critics for his virtuosity, flawless technique, and complete musicianship. He rose to international attention in 1981 as a prizewinner in the Rostropovich International Cello Competition. The winner of the Gregor Piatigorsky Memorial Prize, Avery Fisher Career Grant, Young Concert Artists’ Michaels Award, and other honors, he also was the first musician to win the Arts Council of America’s Performing Arts Prize.

Mr. Brey has appeared as soloist with virtually all the major orchestras in the United States, and performed under the batons of prominent conductors including Claudio Abbado, Semyon Bychkov, Sergiu Comissiona, and Christoph von Dohnányi. His chamber music career is equally distinguished; he has made regular appearances with the Tokyo and Emerson string quartets as well as The Chamber Music Society of Lincoln Center and at festivals such as Spoleto (both in the United States and Italy), and the Santa Fe and La Jolla Chamber Music festivals. He and pianist Christopher O’Riley recorded Le Grand Tango: Music of Latin America, a disc of compositions from South America and Mexico released on Helicon Records. On another CD he collaborated with violinist Pamela Frank and violist Paul Neubauer in Aaron Jay Kernis’s Still Movement with Hymn (on Decca’s Argo label). He also recorded all of Chopin’s works for cello and piano with pianist Garrick Ohlssen (currently available on Hyperion).

Mr. Brey was educated at the Peabody Institute, where he studied with Laurence Lesser and Stephen Kates, and at Yale University, where he studied with Aldo Parisot and was a Wardwell Fellow and a Houpt Scholar. His violoncello is a rare J. B. Guadagnini made in Milan in 1754.

Watch Carter Brey perform “On a Turquoise Cloud”

Piano: Misha and Cipa Dichter

Misha and Cipa DichterPianists Misha and Cipa Dichter, who met at The Juilliard School as students of the legendary Rosina Lhevinne, made their debut joint appearance at the Hollywood Bowl in 1972, four years after their marriage. Subsequently, the Dichters have performed in recital and with major orchestras around the globe.

Misha and Cipa Dichter’s North American engagements have included recitals in all of the major cities in the United States and Canada, as well as appearances with the symphonies of Baltimore, Chicago, Cincinnati, Los Angeles, Pittsburgh and Seattle. Abroad, they have been presented in the music capitals of France, Germany, Holland, Spain and Switzerland.

The Dichters are also frequent and popular guest artists at many of the leading summer music festivals, among them Aspen, Caramoor, Hollywood Bowl, the Mann Center (Philadelphia) Mostly Mozart (New York City) and Ravinia. Following one performance at Mostly Mozart, The New York Times declared: “One was struck not only by the synchronism of their musical impulses, but also by the vigor and elegance of the execution.”

Misha and Cipa Dichter’s first recording – a three-CD album of Mozart’s complete piano works for four hands plus four-hand arrangements by Busoni and Grieg – was released by Musical Heritage Society. American Record Guide called the recording an unmitigated delight,” while The Washington Post commented that the music is “witty, melodious and superbly polished. So is the Dichters’ performance.” Gramophone praised “the Dichters’ direct and uncluttered interpretations” as well as their “exuberant rhythmic drive.” Music Web International names the album a “Recording of the Year” for 2005. The Dichters first began playing Mozart together when they were students at Juilliard in the 1960s, and it was a Hollywood Bowl performance of Mozart’s E-flat double concerto that marked their first joint appearance.

Entering the sixth decade of a distinguished international career, Misha Dichter remains one of America’s most popular artists, extending a musical heritage from the Russian Romantic School, as personified by Rosina Lhevinne, his mentor at The Juilliard School, and the German Classical style that was passed on to him by Aube Tzerko, a pupil of Artur Schnabel. Born in Shanghai to parents who had fled Poland at the outbreak of World War II, Misha Dichter and his family moved to Los Angeles when he was two; he began studying the piano at five. At the age of 20, while enrolled at the famed Juilliard School in New York City, he won the Silver Medal at the 1966 International Tchaikovsky Competition in Moscow, which helped launch an enviable concert career.

Cipa Dichter was born in Brazil of Polish-Russian parents, and had her initial piano lessons at the age of six. She made her professional debut at 16 with the Orquestra Sinfônica Brasileira, and came to the United States shortly thereafter to study at The Juilliard School.

Misha and Cipa Dichter reside in New York City, in a household ruled over by Baxter, their amiable Springer Spaniel. They have two sons and five grandchildren.


Violin: Sheryl Staples

Sheryl StaplesViolinist Sheryl Staples joined the New York Philharmonic as Principal Associate Concertmaster, The Elizabeth G. Beinecke Chair, in September 1998. She made her solo debut with the Philharmonic in 1999 performing Tchaikovsky’s Violin Concerto, led by Kurt Masur. She has since been featured in more than 25 performances, playing concertos by Mendelssohn, Mozart, Haydn, Bach, and Vivaldi with conductors including Alan Gilbert, Lorin Maazel, Kent Nagano, Jeffrey Kahane, and Sir Colin Davis. In addition she has performed as soloist with more than 45 orchestras nationwide, including The Cleveland Orchestra, Los Angeles Philharmonic, San Diego and Richmond Symphony Orchestras, and Louisiana Philharmonic. Most recently, she performed Mozart’s Sinfonia concertante with Principal Viola Cynthia Phelps, led by Jaap van Zweden in November 2014.

The New York Times wrote that “she is a perceptive musician, who plays with great rhythmic integrity and a lucid sense of phrase structure. … she draws a wonderful array of vibrant and luminous colors … interpretive honesty and unmannered elegance.” The Los Angeles Times said she has a “tantalizing mix of qualities. … refinement and boldness, polish and fire. … big, rich, sweeping tone, lacking nothing in warmth and evenness.” The Cleveland Plain Dealer praised her “aristocratic artistry coupled with violinistic mastery … pinpoint accuracy and daring that took the breath away.”

An active chamber musician, Ms. Staples frequently performs in the New York area in venues including Avery Fisher Hall, Merkin Concert Hall, 92nd Street Y, and The Metropolitan Museum of Art. Ms. Staples has performed chamber music for U.S. Ambassadors in London, Paris, Berlin, Beijing, and Hong Kong, and in 2013 she toured Mexico, Brazil, and Chile. Recent summer festival appearances include La Jolla Music Society’s SummerFest, Boston Chamber Music Society, and Salt Bay Chamberfest. She has also collaborated and performed at the chamber music festivals of Santa Fe, Mainly Mozart, Seattle, Aspen, Sarasota, Martha’s Vineyard, Strings Music Festival, and Brightstar Music Festival. She appears on three Stereophile compact discs with the Santa Fe Chamber Music Festival.

Sheryl Staples is a native of Los Angeles, where she developed her love for ensemble work at an early age. She began studying the violin at age five, and her major mentors were Robert Lipsett and Heiichiro Ohyama. Before finishing studies at the University of Southern California’s (USC) Thornton School of Music, Ms. Staples was appointed concertmaster of the Santa Barbara Chamber Orchestra and other professional ensembles in Los Angeles. She then became concertmaster of the Pacific Symphony in 1994 while enjoying a varied career consisting of solo appearances, chamber music, teaching (at USC’s Thornton School of Music and the Colburn School of Performing Arts), and Hollywood studio recording work for numerous major motion pictures.

At the age of 26 Ms. Staples joined The Cleveland Orchestra as associate concertmaster, a position she held for three years. In addition, she taught at the Cleveland Institute of Music, Encore School for Strings, and Kent/Blossom Music Festival, and she was a member of the Cleveland Orchestra Piano Trio. Currently she is on the violin faculty at the Manhattan School of Music and Juilliard Pre-College Division. She also serves on the faculty of The Juilliard School working with students aspiring toward orchestral careers.

Ms. Staples resides in New Jersey with her husband, percussionist Barry Centanni, and children, Michael and Laura. Mr. Centanni and Ms. Staples premiered William Kraft’s Concerto a Tre for piano, violin, and percussion, written for them, at Martha’s Vineyard Chamber Music Society’s summer festival and recorded it for release on the Albany Records label in 2008. They also premiered David Sampson’s Black River Concerto for solo violin, percussion, and orchestra in April 2011 with the Montclair State University Symphony.

Ms. Staples performs on the “Kartman” Guarneri del Gesu, ca. 1728, previously on loan from private collector Peter Mandell and now in the collection of the New York Philharmonic.


Violin: Michelle Kim

Michelle KimViolinist Michelle Kim has been Assistant Concertmaster, The William Petschek Family Chair, of the New York Philharmonic since 2001. She has performed as a soloist with orchestras such as the New York Philharmonic, New Jersey Philharmonic, Santa Barbara Chamber Orchestra, and Pacific Symphony. An active chamber musician, Ms. Kim has collaborated with violinists Cho Liang Lin, Christian Tetzlaff, and Pinchas Zukerman; cellists Mstislav Rostropovich, Lynn Harrell, and Gary Hoffman; and pianists Lang Lang and Yefim Bronfman. She has performed at various festivals including the Santa Fe Chamber Music Festival, La Jolla Chamber Music Festival, Strings in the Mountain, and Bravo! Vail. Ms. Kim has also served as the first violinist of the Rossetti String Quartet, and was a Sterne Virtuoso Artist at Skidmore College in 2007–08.

A student of Robert Lipsett and a former Presidential Scholar, Ms. Kim attended the University of Southern California’s Thornton School of Music as a Starling Foundation scholarship recipient, and considers Heiichiro Ohyama and Henry Gronnier as her mentors. She has been a member of the faculty at the USC Thornton School of Music, the Colburn School, and the University of California Santa Barbara, and currently teaches at the Mannes College of Music.


Viola: Rebecca Young

Rebecca YoungRebecca Young joined the New York Philharmonic in 1986 as its youngest member. In 1991 she won the position of Associate Principal Viola. Two months later she was named principal viola of the Boston Symphony Orchestra. After spending the 1992–93 season in Boston and two summers at Tanglewood, she ultimately decided to return to her family in New York, resuming her Associate Principal position with the Philharmonic in September 1994. She can currently be seen leading the viola section of the All-Star Orchestra, a popular televised educational series about classical music.

An avid chamber musician, Ms. Young has performed with many renowned groups, including the Boston Chamber Music Society, Boston Symphony Chamber Players, New York Philharmonic Ensembles, and The Chamber Music Society of Lincoln Center. She can be heard in a recording of Schubert’s Trout Quintet with cellist Yo-Yo Ma, pianist Emanuel Ax, violinist Pamela Frank, and bass player Edgar Meyer on the Sony Classical label.

In the spring of 1999 Ms. Young joined Philharmonic Principal Viola Cynthia Phelps in the World Premiere of Sofia Gubaidulina’s Two Paths: Music for Two Solo Violas and Symphony Orchestra with the Philharmonic. The work was commissioned for them by Tomoko Masur, wife of Philharmonic Music Director Emeritus Kurt Masur and herself a former violist. The two performed it at Avery Fisher Hall, in Washington, D.C., and again during the Orchestra’s subsequent tour of the Canary Islands, Spain, and Portugal, as well as the Europe 2000 Tour, and again in April 2011, at Avery Fisher Hall. Ms. Young is a graduate of The Juilliard School.

Ms. Young was first introduced to music at the age of two when her parents took her to the New York Philharmonic’s Young People’s Concerts led by Leonard Bernstein. Today, she is the host of the Philharmonic’s popular Very Young Peoples Concerts, intimate chamber music concerts where she has tap-danced, played drums, ridden a scooter around the stage, and even sung Gilbert & Sullivan. Her philosophy is less to educate than, as she puts it, “to make the audiences have so much fun they want to come back!”


Double Bass: Timothy Cobb

Timothy CobbBassist Timothy Cobb joined the New York Philharmonic as Principal Bass in May 2014, after serving as principal bass of The Metropolitan Opera Orchestra, and principal bass of the Mostly Mozart Festival Orchestra since 1989. He has appeared at numerous chamber music festivals worldwide, including the Marlboro Music festival, through which he has toured with the Musicians from Marlboro series. A faculty member of the Sarasota Music Festival, he is helping to launch a new bass program for the Killington Music Festival in Killington, Vermont. Mr. Cobb also serves as principal bass for Valery Gergiev’s World Orchestra for Peace, an invited group of musicians from around the world who donate their time biannually and perform to promote international harmony. Mr. Cobb has been designated a UNESCO Artist for Peace from his affiliation with the World Orchestra. He has an ongoing collaboration with actor Stephen Lang, for whom he recorded a solo bass sound track for Mr. Lang’s animated short film The Wheatfield, which depicts a human drama from the Battle of Gettysburg. The two were invited to Gettysburg in July 2013 on the 150th anniversary of the battle to perform in the Salute to the States event held there, and they will continue to collaborate for future events. Mr. Cobb serves as bass department chair for The Juilliard School as well as on the faculties of the Manhattan School of Music, Purchase College, and Rutgers University. He is also a distinguished visiting artist for Lynn University in Boca Raton, Florida. A native of Albany, New York, Timothy Cobb graduated from The Curtis Institute of Music, where he studied with Roger Scott. While at Curtis, Mr. Cobb was a substitute with The Philadelphia Orchestra and in his senior year became a member of the Chicago Symphony Orchestra under Georg Solti. Mr. Cobb can be heard on all Metropolitan Opera recordings released after 1986, as well as on a recording of Giovanni Bottesini’s duo bass music with bassist Thomas Martin on the Naxos label.

Flute: Robert Langevin

Robert LangevinWith the start of the 2000–01 season, Robert Langevin joined the New York Philharmonic as Principal Flute, in The Lila Acheson Wallace Chair. In May 2001, he made his solo debut with the Orchestra in the North American premiere of Siegfried Matthus’s Concerto for Flute and Harp with Philharmonic Principal Harp Nancy Allen and Music Director Kurt Masur. His October 2012 solo performance in Nielsen’s Flute Concerto, conducted by Music Director Alan Gilbert, was recorded for inclusion in The Nielsen Project, the Orchestra’s multi-season traversal of all of the Danish composer’s symphonies and concertos, to be released by Dacapo Records.

Prior to the Philharmonic, Mr. Langevin held the Jackman Pfouts Principal Flute Chair of the Pittsburgh Symphony Orchestra and was an adjunct professor at Duquesne University, in Pittsburgh. Mr. Langevin served as associate principal of the Montreal Symphony Orchestra for 13 years, playing on more than 30 recordings. As a member of Musica Camerata Montreal and l’Ensemble de la Société de Musique Contemporaine du Québec, he premiered many works, including the Canadian premiere of Pierre Boulez’s Le Marteau sans maître. In addition, Mr. Langevin has performed as soloist with Quebec’s most distinguished ensembles and has recorded many recitals and chamber music programs for the Canadian Broadcasting Corporation. He also served on the faculty of the University of Montreal for nine years.

Born in Sherbrooke, Quebec, Robert Langevin began studying flute at age 12 and joined the local orchestra three years later. While studying with Jean-Paul Major at the Montreal Conservatory of Music, he started working in recording studios, where he accompanied a variety of artists of different styles. He graduated in 1976 with two first prizes, one in flute, the other, in chamber music. Not long after, he won the prestigious Prix d’Europe, a national competition open to all instruments with a first prize of a two-year scholarship to study in Europe. This enabled him to work with Aurèle Nicolet at the Staatliche Hochschule für Musik in Freiburg, Germany, where he graduated in 1979. He then went on to study with Maxence Larrieu, in Geneva, winning second prize at the Budapest International Competition in 1980.

Mr. Langevin is a member of the Philharmonic Quintet of New York with which he has performed concerts on many continents. In addition, he has given recitals and master classes throughout the United States and in countries such as Canada, Spain, Costa Rica, Japan, North Korea, Singapore, and Vietnam. He is currently on the faculties of The Juilliard School, The Manhattan School of Music, and the Orford International Summer Festival.


Clarinet: Pavel Vinnitsky

PavelClarinetist Pavel Vinnitsky has gained his acclaim through numerous solo, chamber music and orchestral appearances in the US, Europe and Israel. An avid orchestral musician, he currently serves as an acting 2nd clarinet with the New York Philharmonic. Previously he has been an associate clarinetist with the Metropolitan Opera Orchestra and is featured on the Met radio and HD video broadcasts, including Metropolitan Opera’s Grammy-winning Ring cycle recording. He also appeared as a guest clarinetist with the Philadelphia Orchestra, the Chicago Symphony, Orpheus Chamber Orchestra, the American Symphony, the Orchestra of St. Luke’s and holds position of principal clarinet with the Stamford Symphony Orchestra. In demand as chamber musician, Pavel Vinntsky  appears with the Met Chamber Players at their Carnegie Hall series as well as with the Wind Soloists of New York, the St. Luke’s Chamber Ensemble and is on the artists roster of numerous chamber music festivals.

Dedicated educator and woodwind clinician, Pavel has conducted master-classes at universities and music schools nation-wide. He is on the faculty at NYU Steinhardt School of Culture, Education, and Human Development as well as at Roundtop Festival Institute in Texas.
is discography includes recordings for the Deutsche Grammophon, New World and Bridge Records labels, numerous broadcasts on WQXR, CBS, Israeli National TV and Bavarian Radio as well as major motion picture soundtracks.


Percussion: Daniel Druckman

DanielDruckmanPercussionist Daniel Druckman is active as a soloist, chamber and orchestral musician, and recording artist, concertizing throughout the United States, Europe, and Japan. He has appeared as soloist with the Los Angeles Philharmonic, the American Composer’s Orchestra, the New York Philharmonic’s Horizons concerts, the San Francisco Symphony’s “New and Unusual Music Series,” and in recital in New York, Los Angeles, San Francisco, and Tokyo. He has been a member of the New York Philharmonic since 1991, where he serves as Associate Principal Percussionist, and has made numerous guest appearances with The Chamber Music Society of Lincoln Center, the Da Capo Chamber Players, the American Brass Quintet, the Group for Contemporary Music, Orpheus, Steve Reich and Musicians, and the Philip Glass Ensemble. Mr. Druckman has also participated in chamber music festivals at Santa Fe, Ravinia, Saratoga, Caramoor, Bridgehampton, Tanglewood, and Aspen.

An integral part of New York’s new music community, both as soloist and as a member of the New York New Music Ensemble and Speculum Musicae, Mr. Druckman has premiered works by Milton Babbitt, Elliott Carter, Jacob Druckman, Aaron Jay Kernis, Oliver Knussen, Poul Ruders, Joseph Schwantner, Ralph Shapey, and Charles Wuorinen, among many others. Recent appearances include collaborations with Alan Feinberg at Dartmouth College, with Fred Sherry at BargeMusic, with Dawn Upshaw at Carnegie Hall, and solo concerts at Columbia University’s Miller Theatre and Merkin Concert Hall in New York. Recent solo recordings include Elliott Carter’s Eight Pieces for Four Timpani on Bridge Records and Jacob Druckman’s Reflections on the Nature of Water on Koch International. Mr. Druckman is a faculty member of The Juilliard School, where he serves as chairman of the percussion department and director of the percussion ensemble.

Daniel Druckman was born and raised in New York City. The son of composer Jacob Druckman, he had invaluable exposure to music and musicians at an early age. He attended The Juilliard School, where he was awarded the Morris A. Goldenberg Memorial Scholarship and the Saul Goodman Scholarship, receiving both bachelor’s and master’s degrees in music in 1980. Additional studies were undertaken at the Berkshire Music Center at Tanglewood, where he was awarded the Henry Cabot Award for outstanding instrumentalist.

Percussion: Benjamin Cornavaca 

Eighteen year old percussionist Benjamin Cornavaca is pursuing his undergraduate degree at The Juilliard School under the tutelage of Daniel Druckman, Markus Rhoten and Greg Zuber. He began his studies at age four on drum-set, and has since then immersed himself in all forms of percussion. Ben is an active performer of classical and contemporary music, having recently participated in premieres of works by Kaija Saariaho, Gabriela Ortiz, and Tan Dun. He is also an avid soloist, and has been awarded first prize at the Necessary Noise Solo Competition, the Percussive Arts Society Snare Drum Competition, and second prize at the Modern Snare Drum Competition. Currently, Ben is a member of the Juilliard Orchestra, AXIOM Ensemble, and the Juilliard Percussion Ensemble.